Bio
Andre Namur
19/07/1972 - Sao Paulo, Brazil
Musician, Composer, Recording and Mixing engineer, Music Producer, Sound Designer.
Since 1995 I have been working in the industry of original sound tracks for several means such as advertising, cinema, theatre, television, games, art installations and digital medium.
I originally started as a bassist and have always tried to create different sound languages and aesthetics for I believe that music can be anything: it can be noise, silence, chaos, calmness, it can be corny, it can be chic and so on. Music is indeed the free expression of feelings, ideas, besides being an invisible playwright narrating stories and conducting feelings and emotions to those it touches.
Throughout my career, I've witnessed a rather substantial move in the means of sound production. The development and improvement of informatics, the creation of several music production softwares, have brought up a world of new tools totally accessible to everybody's creativity.
It's up to today composers, besides knowledge of the past and research of new tools, a new way of interacting with all this universe without fearing to experiment, leaving the automatic manner behind, abandoning their comfort zone.
Most recent projects:
Cinema:
“O Menino que Descobriu o Vento” ( 'The Boy Who Harnessed the Wind')- dir. Chiwetel Ejiofor, Netflix (2018) “Marighella” - dir. Wagner Moura (2019)
“O Juizo” - dir. Andrucha Waddington, Globofilmes (2018).
TV Shows and Documentaries:
“Cine Marrocos” – dir. Ricardo Calil (2017)
“Arrependidos” – dir. Ricardo Calil (2021)
“Sob Pressão” 3 seasons– dir. Andrucha Waddington, Globofilmes (2017-2019)
Recording studios:
V.U. Studio, Play it Again, Punch Audio, Sonido, HAM NYC, Supersonica, Ultrassom, Evil Twin.
Advertisers:
Facebook, Google, Samsung, Ambev, Coca-Cola, Sprite, Pepsi, Heineken, Budweiser, Brahma, Skol, Antartica, Kaiser, Stella Artois, Cervejaria Petropolis, Cervejaria Colorado, Crystal, Smirnoff, Johnnie Walker, Sadia, Seara, Grupo Pão de Açucar, Havaianas, Nike, Petrobras, Volkswagen, Fiat, Ford, Honda, GM, Toyota, Peugeot, Renault, Banco Itau, Bradesco, Banco do Brasil, HSBC, Caixa Economica Federal, Nubank, Neon, Santander, Renner, Claro, Vivo, Tim, Oi, Omo, Ipê, Sesc, Sesi, Sebrae, Secom, Net, Mcdonalds, Bob,s, Habib's, C&A, Rappi, Ikea, Airbnb, CCAA, Pernambucanas, Old Spice, Avon, Natura, Unimed dentre outros.
Adverstising Awards:
Cannes Silver Lion – Protex (2012) Radio - Play it Again
Cannes Silver Lion – Hospital Leforte (2019) Lions Health - Punch
Audio Studios:
Mosh, Vice-Versa, NaCena Studios, Estudio Trama, Midas studio, Abbey Road Studios London, Air Studios London.
Albuns:
“Olivia” (Trama) 2000, “Serie Concertos”, Musica de Camara Fundação Maria Luiza e Oscar Americano 2001 a 2008, “Buddha Lounge IV” and “Africa Lounge” Quimica humana (Azul Music) 2004- 2005 , “Lo Editions 4,5,6 “– UK, ( BMG Zomba Music) 2010, “O Presente”, Willy Correa de Oliveira (Sponsored by Petrobras) 2005, Cartola para Todos (MCD) 2008, “Circo Nerino” (2013) among others.
Features, Series and Docs :
“Artigo 25” (1991),”Padiciço Pastik Tales” (1992), “Musculatura” (2003), “Cosmopolis” (2005). “A Historia da SBPC”- TV Cultura, União Europeia – TV Cultura, “Fernando Meirelles” - TV Cultura, “Olhares na Educação” , TV Cultura (2012) – “Vinheta de abertura do Festival Internacional de Curtas Metragens de São Paulo” (2010 – 2011- 2012), EXPN Docs Radical Peru TV (2012), EXPN Docs Radical NY (2012) “O Brasil deu Certo? E Agora? (2013), “Roupa de Baixo” (2015), “4x Timão a conquista do Tetra” dir, Di Moretti (2011), “Todo Poderoso Timão – O filme 100 anos de Timão” (2010), “O Roubo da Taça” (2015), “Terezinha” (2016), “Os Parças” (2017)“Alem do Homem” (2018), “O Irmão do Jorel – Catoon Network (2017 – 2018) “Um conselho para os Ateus” dir. Rubens Marinelli (2019), “Mar de Dentro”dir. Dainara Toffoli (2020), “O Novello” dir. Claudia Pinheiro (2020), among others.
Games and Arts:
Lumaki (Iphone - 2010) “My night Job” (Steam – 2015), Naíma (2019), Memoryscapes (2020).